Wednesday, May 7, 2014
Girl: Old and Gay
(This was a slam-style poem written for a Women's Studies Project)
The air I breathe reeks of youth and men and straight.
The air I breathe blows east, then west, then east again.
The wind in my trees howls its angry message; “You are too old, too female, too gay.”
The wolf at my door huffs and puffs, and tries to blow my house in.
But I am no Straw Pig, no Stick Swine!
I am built of red bricks,
Forged in the fires of
Catholic Church, School and Religion.
I am steel, tempered in the fires of
Fear and furtivity.
Proper and prosperity.
I was young and weak.
Now I am old and strong,
Stronger than words,
Stronger than looks,
Stronger than pre-conceived ideas of what a Woman,
A Gay Woman,
An Old, Gay, Woman -- should look like.
Sound like.
Be like.
I fit no bill, act in ways no one understands.
I am an enigma.
For how can a mother, a white-haired, small-boned, mini-muscled mother
Be all that?
I am that!
I revel in that!
I celebrate the lines in my face
Just as surely as I rail against the lines
Drawn in the sands of the narrow-minded men
Who would vote me off their Island
To be replaced by the Young, the Ripe, and the Restless!
I tell you,
You, who will listen,
There is Awesomeness in Old.
There is Glory in Gay.
And there is Wonder in every Woman who ever walked
The breadth and scope of this Wide, Wide World.
Her celebration begins today.
Thursday, May 1, 2014
5

Five
Five is my favorite number
Five is red and round and loud.
The world has so many Fives:
Five fingers and five toes
Five work week days
Five senses
Five-cent analysis
Five dollar foot-long
Five is the third prime number
and the Fifth number in the Fibonacci sequence
Five seeds in an apple (who knew!)
The Fantastic Five
Five Olympic Rings
Five GOLDEN Rings
Five players on the Basketball Court at any given time
High Five!
Pentagram
Pentagon
Pentatonix
People.
My people . . .
Five bellies,
Five births,
Five babies born and breastfed
Five burgeoning beauties
Balancing on the cusp of adulthood
These Five . . .
The most Fierce
Most fiery
Most ferocious,
Most fabulous
“Five” of them all.
My Five.
Friday, April 25, 2014
Out-er Limits: To be an Older, Gay Woman in a Young, Straight, Man's World
” (This was a paper written for a Women's Studies Class)
I am an older gay woman. For many many years, I existed in the traditional heterosexual wife-and-mother role. That was fine to a certain extent -- especially the mother part -- but there was a constant strain on my soul, like an instrument that was warped, but playable, always just slightly out of tune, so slightly that the untrained ear could not perceive the dissonance.
When I came out six years ago, leaving a 27-year marriage behind, both family and friends in the wider spheres of my life were perplexed. “Why would she leave such a secure life? Why would she risk her reputation? Why would she do this to her children? Why upset the status quo? Why throw a wrench into our world?” Why, why, why?
Despite the fact that I live in a liberal, urban environment, I still see signs that my decision to live as an out, unapologetic, older gay woman forms ripples in the water. Somehow I represent a threat to other heterosexual people, and when I was out with my former female partner, we cause discomfort wherever we went. Disapproving stares aimed at our hands held while walking down the street, were often shot at us from heterosexual couples who are themselves exhibiting far more explicit displays of affection, they without fear of any repercussion. Passing mutterings of, “f...ing dyke,” and such are common enough experiences. Nearly always, it is the men who stare and mutter.
Why is a small 58-year-old white-haired woman perceived as such a threat? I wonder. Gay rights activists, both male and female have been fighting an uphill battle for generations. But it is most hard on the lesbian community. Instead of being thought of as independent, self-sufficient women who choose to love other women, we are perceived to be hard, ugly, man-hating bitches who must be marginalized at best, and stamped out at worst. Some say outwardly I do not fit the stereotypical idea of what a lesbian should look like. This is partially due to my age and partially, I suppose, due simply to the fact that I do not drive a motorcycle, wear black leather or hate all men. As the mother of two grown sons and the sister of two brothers, I look at all people for who they are inside (or at least I’d like to think I do!) or as Martin Luther King stated, “for the content of their character.”
In her essay Homophobia and Sexism, author and activist Suzanne Pharr speaks in blunt terms about who the enemy really is, when it comes to the withholding of even basic civil and human rights for gay men and lesbian women, but especially for the women. Pharr, the founder of the Women’s Project and author of the book Homophobia: A Weapon of Sexism, writes with stridency when she says, “To be a lesbian is to be perceived as someone who has stepped out of line, who has moved out of sexual/economic dependence on a male, who is woman-identified."
Pharr may be strident, but her point is succinct and gets right to the heart of the matter. She points out that the lesbian label is trotted out by some to mean any independent woman who does not feel the need to depend on men for their sense of self-worth.
“If lesbians are established as threats to the status quo, as outcasts who must be punished, homophobia can wield its power over all women through lesbian baiting. Lesbian baiting is an attempt to control women by labeling us as lesbians because our behavior is not acceptable, that is, when we are being independent, going our own way, living whole lives, fighting for our rights, demanding equal pay, saying no to violence, being self-assertive, bonding with and loving the company of women, assuming the right to our bodies, insisting upon our own authority, making changes that include us in society’s decision-making; lesbian baiting occurs when women are called lesbians because we resist male dominance and control. And it has little to do with one’s sexuality."
For me, being older when I came out was a blessing of sorts. I was of an age where, after navigating life for many years, I no longer cared very much how I appeared to others. It was not so difficult to ignore stares and snide remarks. It was not difficult to feel comfortable displaying affection in public, despite obvious disapproval from men. Interestingly, it is most often younger men who are the most vocal in their upset. I have theorized that perhaps I pose a double threat. I not only represent loss of control and power, but I may remind them of their own mothers -- a thought they seem to find untenable.
In reality, I find myself more uncomfortable with getting old and gray, than getting bold and gay. I look in the mirror and do not recognize the wrinkled face before me. I don’t feel 58! But, damn, I sure look it! In her essay Over the Hill and Out of Sight, author Janice Keaffaber talks about women and aging and the fact that society -- again male dominated society -- dictates that only young-looking, heterosexual women are desirable and acceptable. Keaffaber is a co-founder of The Old Women’s Project, a San Diego-based organization that focuses its attention on the health and well being of older women in need of advice and assistance. The project especially serves women in prison, gay and lesbian women, and women in lower income brackets. To fellow older women she says, “we don’t talk about the true emotional challenges involved, [with aging] even with each other. We’re all too busy pretending we don’t notice the indignities that are heaped upon us as old women. Or worse yet, it seems so natural, even to us, that it doesn’t really register that we’ve become Outsiders.”
How awful! Have we become so brainwashed by our society that even we are unaware of our own predicament? These days, I am wearing a couple of odd-looking hats. The gay woman hat fits perfectly, but not everyone likes its colorful feathers. The old woman hat, a bright red one that covers a head of white also draws contempt at times. Worn together, stacked one on top of the other, they create a look I think is fabulous. And, despite the opinion of some onlookers, I have no intention of taking either of them off.
Thursday, April 17, 2014
Blankie

A gift for a newborn -- this soft, silky, quilted, white batted, tiny-flowered blanket. It covered the baby as she lay in her crib, and followed behind her as she learned to walk, its one dirty, favored corner held tight to her cheek.
It went on sleepovers, surreptitiously stuffed into her overnight bag, never actually coming out, but available to the small hand seeking that corner in the night.
It went to school (in a way) when she cut off a strip small enough to fit into her uniform pocket, readily available to be touched in moments when comfort was called for.
It went to college and marriage and babies, from apartment to house, always settling behind her pillow, always waiting for the girl in the woman, the child in the mother, the little in the grown.
Covered and re-covered, washed countless times, this tiny quilt held an unconditional love, elusive in infancy, yet longed-for still, nearly 60 years later.
It sits, even now, folded, tucked behind her pillow, ready to offer its corners of contentment and calm.
Friday, April 11, 2014
I Am From
I am from
sun slanting in the late afternoon
on the shed side of the house.
I am from
summers in the mountains,
by the creek so cold and clear
I could see the tiny minnows ten feet down.
I am from
peanut butter Mondays,
tuna noodle Fridays
and chicken cacciatore Sundays
I am from
incensed churches
and saddle shoed schoolyards,
Schwinns and Keds and countertop candy stores.
I am from
stickball and tag and Monkey-in-the-Middle,
tree fort and Toughskins and tomboy.
I am from
record stores, vinyl, liner notes and wall posters
guitar strings and songs played over and over
until they sounded just right,
from late night harmony and sunrise songfest.
I am from
seed and belly and kicking feet.
from labor and birth -- theirs and mine
as I let go of them into the wider world.
I am from
car seats to driver seats
kindergarten to college
from there and from them, just as surely
as they are from me.
I am from
straight, to not straight,
expected to eccentric, false to true.
from fear and falling, ferocity and fulfillment.
I am from
the beginning
a time I take along even now,
as I continue, my past rolled under my arm
like a long thin blanket
ready to be referenced at any time,
like Torah scrolls in the tabernacle.
I am from
then -- and now
and from where I find myself tomorrow.
and tomorrow,
and tomorrow.
sun slanting in the late afternoon
on the shed side of the house.
I am from
summers in the mountains,
by the creek so cold and clear
I could see the tiny minnows ten feet down.
I am from
peanut butter Mondays,
tuna noodle Fridays
and chicken cacciatore Sundays
I am from
incensed churches
and saddle shoed schoolyards,
Schwinns and Keds and countertop candy stores.
I am from
stickball and tag and Monkey-in-the-Middle,
tree fort and Toughskins and tomboy.
I am from
record stores, vinyl, liner notes and wall posters
guitar strings and songs played over and over
until they sounded just right,
from late night harmony and sunrise songfest.
I am from
seed and belly and kicking feet.
from labor and birth -- theirs and mine
as I let go of them into the wider world.
I am from
car seats to driver seats
kindergarten to college
from there and from them, just as surely
as they are from me.
I am from
straight, to not straight,
expected to eccentric, false to true.
from fear and falling, ferocity and fulfillment.
I am from
the beginning
a time I take along even now,
as I continue, my past rolled under my arm
like a long thin blanket
ready to be referenced at any time,
like Torah scrolls in the tabernacle.
I am from
then -- and now
and from where I find myself tomorrow.
and tomorrow,
and tomorrow.
Tuesday, March 25, 2014
Seismic Shifts
I just pulled in the driveway after a full day at school.
I am in the middle of my fourth semester at Nassau Community College (NCC), and, as it should, after a year and a half, the workload has increased exponentially. I am loving the experience, still excited about learning new subjects and even more thrilled that my 58-year-old brain is retaining a fair amount of the material.
Such a time! My classes have been wildly varied. English 101 mixed with Logic and Set Theory. Stir in Journalism with The Bible As Literature, Women's Studies (honors), Human Sexuality (uh huh), add a dash of Environmental Resources, Psychology, Sociology, Algebra, Film Appreciation, Drawing, Voice, Communications, and Plate Tectonics, and, voila! You have the fantastic soup I call my college education!
Here is a composite school day. I pull into the eastern parking lot, where the spaces are bigger and my chances of not getting my doors dinged somewhat improved. A hopeful seagull eyes the coffee cup in my hand as I swing my overstuffed backpack over my shoulders. I power walk across the wind-swept brick promenade, past the library and the A-F clusters, the Tower, the CCB and G buildings. Then I make my diagonal way across Goose Poop Commons, walking a bit slower and more carefully now, until I hit North Hall, for my Women's Studies Class.
It is, not surprisingly, a class made up entirely of women, all young except for me and one senior observer. She is here for enrichment, not credit and does not have to do any of the homework. I hate her. Just kidding. In class we talk about women's issues ranging from the history of the Feminist Movement, to the present day global issues of women's health, equal and reproductive rights, to inequities in the workplace and in the home. The professor is a small soft-spoken woman with work-worn hands that look out of place coming from her academic sleeves. She guides the conversation fluidly, careful to land lightly on each head, as the members of this particular class span a range of socio-ethnic backgrounds. I am the only one in class (besides senior observer) who knows who Gloria Steinem is. They are much more cognizant of Rihanna's and Chris Brown's misadventures than they are of the efforts of Susan B. Anthony or Betty Friedan.
Class is over and I and my brain trek over to Cluster C for Beaches and Coastlines where my zany-but-brilliant professor will twirl around the room jabbering about divergent versus convergent plate boundaries, continental shifts, hotspots and how oceanic plates will always subduct and continental plates never will (because they are less dense and therefore more buoyant). How volcanoes form and how the seismic activity of the shifting plates causes earthquakes to occur. We have a test next week on Tectonics.
I hear the distant Tower Carillon warbling "You'll Never Walk Alone" in a pleasant, off-key sort of way, signaling another class change. Another brisk hike to the art wing of Building G to meet yet another eccentric-yet-brilliant professor. She charges in, curly black mop of hair bouncing over cat-shaped black-framed glasses. Even without her plum-colored lipstick and matching magenta man's tie, she awakens our sleepy post-lunch senses with animation and, yes, artistry. Today we have a live (read NUDE) model from whom to draw. He is an old man, who, I've gotta say, took a few moments to adjust to. But he was accommodating and game all the way and, after an exhausting couple of hours, I had a nicely improving set of sketches. Professor Plum approved.
I pull my lunch box from my book bag before leaving the studio to inhale a sandwich and a Diet Pepsi. Film Appreciation in South Hall (yep, across the poop again) is the last class of this day. Today we are watching Big Night, that wonderful Stanley Tucci/Tony Shaloub film from the '90s where two Italian brothers come to terms with living, working and relating in their newly adopted America. The lights are turned off and blinds drawn. I find myself nodding and shaking my head to stay awake, saying a silent prayer of thanks for the fact that I have already seen this one. The lights go back on and we discuss and dissect the meanings and symbols of every frame. The professor, one of my favorites, is the same woman who taught my Communications 101 class last semester. She is caring, careful and thorough. She is one of those special people who knows each student by name after one session.
Time to go. Jacket zipped, pack slung, I make a last pit stop and take my final lap across the field, through G up and onto the promenade, past the library, and down the path leading to the eastern lot. That same seagull (I swear!) is perched on the top of my car, happily pooping on the glass of my sun roof. He waves a jaunty farewell and flies off as I put it in drive and head for home.
If I could astral project and, after floating up to look objectively down at myself, I might marvel at the aging brain's ability to concentrate on such diverse topics, one after another. It is a big shift to delve into the humanities, jog over to science, switch over to art, film and literature, all in the span of one school day.
A big shift.
I'd even say a seismic shift.
I am in the middle of my fourth semester at Nassau Community College (NCC), and, as it should, after a year and a half, the workload has increased exponentially. I am loving the experience, still excited about learning new subjects and even more thrilled that my 58-year-old brain is retaining a fair amount of the material.
Such a time! My classes have been wildly varied. English 101 mixed with Logic and Set Theory. Stir in Journalism with The Bible As Literature, Women's Studies (honors), Human Sexuality (uh huh), add a dash of Environmental Resources, Psychology, Sociology, Algebra, Film Appreciation, Drawing, Voice, Communications, and Plate Tectonics, and, voila! You have the fantastic soup I call my college education!
Here is a composite school day. I pull into the eastern parking lot, where the spaces are bigger and my chances of not getting my doors dinged somewhat improved. A hopeful seagull eyes the coffee cup in my hand as I swing my overstuffed backpack over my shoulders. I power walk across the wind-swept brick promenade, past the library and the A-F clusters, the Tower, the CCB and G buildings. Then I make my diagonal way across Goose Poop Commons, walking a bit slower and more carefully now, until I hit North Hall, for my Women's Studies Class.
It is, not surprisingly, a class made up entirely of women, all young except for me and one senior observer. She is here for enrichment, not credit and does not have to do any of the homework. I hate her. Just kidding. In class we talk about women's issues ranging from the history of the Feminist Movement, to the present day global issues of women's health, equal and reproductive rights, to inequities in the workplace and in the home. The professor is a small soft-spoken woman with work-worn hands that look out of place coming from her academic sleeves. She guides the conversation fluidly, careful to land lightly on each head, as the members of this particular class span a range of socio-ethnic backgrounds. I am the only one in class (besides senior observer) who knows who Gloria Steinem is. They are much more cognizant of Rihanna's and Chris Brown's misadventures than they are of the efforts of Susan B. Anthony or Betty Friedan.
Class is over and I and my brain trek over to Cluster C for Beaches and Coastlines where my zany-but-brilliant professor will twirl around the room jabbering about divergent versus convergent plate boundaries, continental shifts, hotspots and how oceanic plates will always subduct and continental plates never will (because they are less dense and therefore more buoyant). How volcanoes form and how the seismic activity of the shifting plates causes earthquakes to occur. We have a test next week on Tectonics.
I hear the distant Tower Carillon warbling "You'll Never Walk Alone" in a pleasant, off-key sort of way, signaling another class change. Another brisk hike to the art wing of Building G to meet yet another eccentric-yet-brilliant professor. She charges in, curly black mop of hair bouncing over cat-shaped black-framed glasses. Even without her plum-colored lipstick and matching magenta man's tie, she awakens our sleepy post-lunch senses with animation and, yes, artistry. Today we have a live (read NUDE) model from whom to draw. He is an old man, who, I've gotta say, took a few moments to adjust to. But he was accommodating and game all the way and, after an exhausting couple of hours, I had a nicely improving set of sketches. Professor Plum approved.
I pull my lunch box from my book bag before leaving the studio to inhale a sandwich and a Diet Pepsi. Film Appreciation in South Hall (yep, across the poop again) is the last class of this day. Today we are watching Big Night, that wonderful Stanley Tucci/Tony Shaloub film from the '90s where two Italian brothers come to terms with living, working and relating in their newly adopted America. The lights are turned off and blinds drawn. I find myself nodding and shaking my head to stay awake, saying a silent prayer of thanks for the fact that I have already seen this one. The lights go back on and we discuss and dissect the meanings and symbols of every frame. The professor, one of my favorites, is the same woman who taught my Communications 101 class last semester. She is caring, careful and thorough. She is one of those special people who knows each student by name after one session.
Time to go. Jacket zipped, pack slung, I make a last pit stop and take my final lap across the field, through G up and onto the promenade, past the library, and down the path leading to the eastern lot. That same seagull (I swear!) is perched on the top of my car, happily pooping on the glass of my sun roof. He waves a jaunty farewell and flies off as I put it in drive and head for home.
If I could astral project and, after floating up to look objectively down at myself, I might marvel at the aging brain's ability to concentrate on such diverse topics, one after another. It is a big shift to delve into the humanities, jog over to science, switch over to art, film and literature, all in the span of one school day.
A big shift.
I'd even say a seismic shift.
Saturday, February 15, 2014
The Heart is a Lonely Companion
Yesterday was Valentine's Day. I was blue and weepie most of the day, since just a few weeks ago, my partnership of five (on-again/off-again) years broke up, and I had ensconced myself in lonely self-pity.
Seeing people coupled up was unbearable, and when I read Facebook comments from happily-married friends complaining about this romantic holiday, I wanted to thrash them. Don't they appreciate what they have? A loving partner who stands by their side through thick and thin? A co-parent, co-pilot, com-patriot?
I sit down to coffee for one, moving my feet a few inches to the left on the coffee table to accommodate her phantom feet as we warm ourselves by the fire. I find myself looking at things in the store, thinking she would like this or that. Her habits I once thought were silly, have remained in my repertoire. I sleep diagonally on the big bed, vainly trying to cover the cold empty space to my right.
I miss shared stories, shared Smartwools, shared texts and toothpaste. In my naiveté I had been certain we would be together forever, even when all signs pointed elsewhere a long time ago. I think perhaps what I am most missing is an idea, a romantic idea that was never grounded in reality. I still grip the possibilities such an idea brings -- albeit with someone else -- with all my strength.
Although this doesn't make obvious sense, the emptiness echoes louder because she is around all the time. She lives nearby. We share friends and our daughters are like sisters. Our social circles run together like some cruel, in-escapable venn diagram.
If I could, I would hoist myself up and move to somewhere far away, where palm trees grow and colors are new. For now, I walk through my days in various stages of numbness and misery -- a Limbo I will gladly put behind me as time begins its slow heal.
Seeing people coupled up was unbearable, and when I read Facebook comments from happily-married friends complaining about this romantic holiday, I wanted to thrash them. Don't they appreciate what they have? A loving partner who stands by their side through thick and thin? A co-parent, co-pilot, com-patriot?
I sit down to coffee for one, moving my feet a few inches to the left on the coffee table to accommodate her phantom feet as we warm ourselves by the fire. I find myself looking at things in the store, thinking she would like this or that. Her habits I once thought were silly, have remained in my repertoire. I sleep diagonally on the big bed, vainly trying to cover the cold empty space to my right.
I miss shared stories, shared Smartwools, shared texts and toothpaste. In my naiveté I had been certain we would be together forever, even when all signs pointed elsewhere a long time ago. I think perhaps what I am most missing is an idea, a romantic idea that was never grounded in reality. I still grip the possibilities such an idea brings -- albeit with someone else -- with all my strength.
Although this doesn't make obvious sense, the emptiness echoes louder because she is around all the time. She lives nearby. We share friends and our daughters are like sisters. Our social circles run together like some cruel, in-escapable venn diagram.
If I could, I would hoist myself up and move to somewhere far away, where palm trees grow and colors are new. For now, I walk through my days in various stages of numbness and misery -- a Limbo I will gladly put behind me as time begins its slow heal.
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